Tuesday, 30 August 2016

The art of plants - The Witness Garden Show 23-25 September

The meticulous detail of a plant showing flowers, bud, seed and root system is the basis of a botanical picture, but it is much more than that as members of the Botanical Artists Association SA will demonstrate at this year’s The Witness Garden Show. 

Grown out of the need to document plant specimens when dried plant material and restrictions prevented botanists from detailing their findings, botanical art has become a great art form that has become popular for adorning walls around the country. 

Interested artists can now attend workshops using various mediums such as 
water colour, pen and ink, graphite, aquarelle and polychrome pencil crayons hosted by the branches of the non-profit Botanical Artists Association SA in the Western Province, Gauteng and KwaZulu-Natal. 
Their aim is to promote and develop the artistic standards of members, to encourage ongoing training and education of members as well as to encourage participation in exhibitions. 

This year for the first time a national botanical art show will be held at The Witness Garden Show from the 23-25 September in the Craft Hall. Apart from the beautiful art pieces in display and for sale the members will also have demonstrations on various art mediums.

Have a look at the facebook page!


Monday, 22 August 2016

Carnivorous Plant Society

Carnivorous Plant Society presented this specially commissioned painting by Lucy Smith, to their patron, Sir David Attenborough 


“Providing accurate and up-to-date IUCN Red List conservation assessments for all carnivorous plants will be an invaluable tool for research scientists and conservationists around the globe.”
 – Sir David Attenborough, Patron of the IUCN SSC Carnivorous Plant Specialist Group

Pop-in, walkabout and Matisse your pic

Dear Gillian Condy

All roads lead to Matisse

The much anticipated Henri Matisse | Rhythm and Meaning exhibition is now open at Johannesburg’s Standard Bank Gallery. Art lovers can experience the genius and versatility of the French modernist master’s first exhibition in Africa. Not only is entry to the exhibition free with a free shuttle service to boot, Standard Bank is also offering the public a multitude of Matisse experiences sure to leave a lasting impression of this artist’s work and influence.

Pop-up Art Studio in Menlyn

Digitally design your own Matisse-inspired artwork at our pop-up studio in Menlyn Park Shopping Centre on 20 and 21 August from 10:00 to 17:00. For more details on the exhibition please visit our website: www.standardbank.com/matisse


Free public walkabouts are presented by local arts educator Wilhelm van Rensburg, between 13:00 and 14:00 on the following Wednesdays and Fridays:

August - 17, 19, 24, 26, and 31
September - 1, 7, 9, 14, and 16

Saturday walkabouts are scheduled upon demand.


Those who simply want their own Matisse-inspired portrait, can upload a photo of themselves along with the hashtag #MatisseMyPic on Twitter and we will recreate it to look like a Matisse masterpiece and send it back for use as a profile picture or just to share with the world.

Daily shuttles for exhibition visitors

To book a seat on the shuttle, visit www.standardbank.com/matisseshuttle and enter your details as prompted. Using a valid booking reference to enter, booked passengers will be shuttled between the Gautrain Park Station at 11:30 and 13:00 and returned to the Gautrain Park Station at 12:45 and 14:15 daily. The service runs from Monday to Saturday but excludes Sundays and public holidays.

First Thursdays

Joining forces with the ever so popular First Thursdays, on 1 September, the Standard Bank Gallery will be open until 21:00, and a shuttle service will operate from Braamfontein’s Smit Service Road (Kalashnikovv Gallery) at 18:00, to the Standard Bank Gallery, and returning every 40 minutes thereafter. The shuttle will also depart from Maboneng Commissioner Street (MOAD) at 18:30 to the Standard Bank Gallery, and returning every 40 minutes thereafter.

The Bioscope

To learn more about how much Henri Matisse has influenced our modern lives and what influenced his work, you can enjoy a free screening of the BBC Modern Masters Series: Henri Matisse. The screening takes place at The Bioscope, in Maboneng, on Sunday 21 August, at 15:00. Book your seat at www.thebioscope.co.za (Free popcorn and drink included).

For more details on the exhibition please visit our website:www.standardbank.com/matisse

Admission to the Henri Matisse | Rhythm and Meaning exhibition is free.

Facebook and Twitter page: Standard Bank Arts
Hashtag: #MatisseinSA

15th International Exhibition of Botanical Art & Illustration - Hunt Institute

Dear Friend of Hunt Institute:

The Hunt Institute for Botanical Documentation invites you to our "15th International Exhibition of Botanical Art & Illustration," which runs from 15 September to 15 December 2016. Attached is a PDF invitation. Although the exhibition opens on 15 September, the reception will be held on Thursday, 13 October 2016, 6-8 p.m., to coincide with the American Society of Botanical Artists conference. Please join us at the reception for a chance to meet the 15th International artists. At 6:30 p.m. the curators will give a short introduction to the exhibition and the artists in the gallery. If you can't make it to the reception, we hope to see you during the run of the show.

For more information about the exhibition: 

Scarlett Townsend

Which Brush? Spotters and Miniatures - Dianne Sutherland

Posted: 20 Aug 2016 03:04 AM PDT
I'm often asked about which is the best brush for botanical work but as usual there's no simple answer! I use lots of types of brushes for different jobs! So will break this into brush types, starting with a post on one type of brush; the miniature or spotter. Here's my own opinion on 5 different brushes in the range. 
Paintbrushes stored in pots
Paintbrushes accumulated over the years! p.s. only store this way when dry, otherwish water and paint lies in the ferrule and that's bad!
What is a miniature or spotter? Both miniature and spotter brushes are short haired brushes that allowexcellent control for fine detail work, this feature makes them very useful to botanical artists who favour dry brush and fine detail techniques, and is especially good for the vellum painter.  A spotter is much the same as a miniature but sometimes has a slightly fatter belly, both should have a sharp tapered point for extra fine detail. 
What size of spotter is best? I don't often use anything  anything smaller than a size 1 and in these brushes certainly no larger than a size 3, although sizes seem to vary between manufacturers. 
For washes I use round or pointed brushes which have longer hairs and size 5 or 6 plus, I also use flats for some jobs such as lifting and half riggers for long flowing lines. I'll discuss them some other time in a separate post.

five watercolour brushes
The five brushes left to right: Winsor & Newton Series 7 miniature, Rosemary & Co spotter,  David Jackson spotter, Raphael 8048 and Pro Arte series 107 
Paintbrushes splayed slightly
Pressing the 5 brushes against the paper, shows just how different they are.
The 5 Brushes 
Winsor and Newton Series 7 miniatures, Kolinsky sable size 1  £8.25 - £12
One of the most popular brushes and one that I've used for many years, but have noticed some inconsistency in quality over the past few years with stray and bent hairs. It's a lovely looking brush though and handles well. Itappears to be made with hairs slightly longer hairs in the middle compared to the outside, I think maybe for this reason they splay slightly sometimes. But it's generally a really good 'all rounder' and has a lovely point, which is superior to the Rosemary and Co but not as good as the David Jackson or the Raphael although  probably on a par with the Pro Arte. The lines that I painted with it were fine but not as clean  as others.  It's good for dry brush work but it's an expensive brush to wears out if you use it for this purpose. I feel like the hairs are finer and softer than say the Raphael but not as soft as the Rosemary &Co, great for very delicate work, where little pressure is required, such as on vellum. 

Oak leaf painting using winsor and newton brush
Oak Leaves, watercolour on paper, painted all detail with W & N miniature
splayed hairs on a winsor and newton paint brush
Some splaying of hairs, is annoying!

worn paintbrushes from dry brush
The effect on W & N and Rosemary and Co after much dry brush work!

Rosemary & Co spotter series 325, size 1 £4.25 
Half the price of most sable brushes, to me this spotter is really a different type of brush. Looking at the 5 brushes together, you can immediately see that it's much fatter in the belly than the other miniatures and has more hairs which seem softer and possibly finer - I should really put this to the test under the microscope but this is just a quick post! The point seems to dull quite quickly, possibly because of the finer hair, but initially it's a good enough point and if you don't paint so much it should last a while. The biggest problem I have with Rosemary & Co brushes is the splaying of hairs, worse than W & N and which happens fairly early on in the life of the brush, and even more so with the longer haired round / pointed brushes. The point is less tapered too and this tends to result in less of a smooth fine line compared to the David Jackson and the Raphael brushes, on close analysis the fine lines are more broken up and therefore less contact is made with the paper so perhaps this is to do whith the chunky build and maybe a bit more water is needed. Having said all that, this brush comes into its own for 'modelling' dry brush work and I use it largely for this purpose. It lasts for ages and is actually better with some wear. In particular, I love it for what I call 'polishing' dry brush work on vellum, which is an approach that I use to add a very fine layer of colour over previous dry brush to give shine, it's a very dry approach using quite a bit of pressure which allows me to layer, similar to the equivalent of a final wash on a watercolour. Below is an example of using a Rosemary and Co spotter on a maple leaf to get the 'polished, look on vellum! 

Rose hip using dry brush
Rosemary and Co spotters are great for dry brush work to achieve rich colour and depth

maple leaf on vellum using posishing dry brush
Also 'Polishing' dry brush is easier to achieve with the Rosemary & Co spotter
David Jackson Spotter, size 1 £? Contact The Brushman for information
David Jackson is a true craftsman and he made some spotter brushes for me several years ago, I think back 2012. I use them frequently and they are as good today as they were the day he very kindly put them through my door! The fine line work is by far the best, the brush holds enough water in its belly to maintain contact with the paper for a flowing fine line. This is my favourite little brush for detail working on vellum, I love to use it when painting butterflies, the fine point can give incredible detail for the most  delicate dry brush work yet doesn't seem to wear at all, probably because so little pressure is required and it just glides across the surface with no friction. The hairs are quite soft though so it won't allow an lifting but that not the purpose of a brush like this. 
butterfly winf detail made using David Jackson spotter brush
David Jackson's brushes are perfect for fine lines and detail, such as the fine scales of a moth wing
Raphael 8404  Red Sable size 3/0 approx  £7 -£10 
Narrower at the ferrule than series 7 and considerably narrower than the Rosemary & Co. This brush is more tapered but has enough belly to hold the right amount of water. This allows beautiful fine lines to be painted. It also seems a bit stiffer and is great for tidying edges and line work. I find the firmer brush perfect for fine tapered hairs when using body colour but also for very fine details, such as veins as well as for tidying edges. An excellent and versatile brush that rivals the Winsor & Newton miniature. Here's a link for the lowest price 8404. They also make the 8400 which is Kolinsky sable and extra short round brush, which is probably even better for dry brush.....I've ordered one! Beautiful brushes that last. I've had mine in excess of 5 years.

Painting hairs on flowers
Using the Raphael for painting fine hairs with body colour and a grey fine shadow line too. This gives additional depth to the hairs
Pro Arte 107 spotter, size 1 £2.60 - £3.50
A great low cost synthetic brush for lovely fine detail. I've only recently started using this one but on the downside the point goes fairly soon and you get that characteristic bent tip thet happens with many synthetic brushes but for the price, and if you don't like to use animal poducts, it's a pretty amazing little brush. Below is one I purchased a couple of weeks ago, and you can see the point has bent but if you use it for fine line work and not for dry brush it will last long. The fine lines are actually marginally better than with the W& N brush and the stiffer synthetic hair means you can tidy up edges and push the paint a little more than with a sable brush als good for hairs. So again it's a brush with a slightly different role and one I use a lot! Sold by several shops, including Heaton Cooper and Pullingers but often in the craft / hobby range
Purple made using Rose petal, dry brush techniques
Petal painted with Pro Arte spotter ( apart from the wash which was painted with a size 5 round) Its great for the veins and sharp edges and 'drawing' and 'dragging' dry brush techniques, but loses the point quickly.

damaged synthetic brush point
The point start to bend and this happens a lot with synthetics but it's still a fantastic little brush
Sets of Brushes
 I don't bother with sets of brushes by one manufactuerbecause you usually end up with one or two that you don't need and often there are good offers on some brushes, so it's a bit of a false economy. But it you have no idea regarding where to start I supose it gives a taster of whats available. 

Which is the Best? 
To be fair I like and use all of these brushes, I'd say the one that impresses me the most is David Jackson's brush, because of the smoothness of the line and the lack of friction between paper and brush. But I like them all for different reasons as outlined above. I tested them all out for lines the various dry brush techniques and they all have slightly different outcomes. I actually think it's worth investing in one of each of these brushes as a learner. They will all be used and small brushes are not so expensive. You can shop around and buy all of them for under £35! You may well find you have different preference but the best way to find out what suits you is to try different types, rather than blindly following somebody else's suggestions. Your brush really can make a difference and its very personal!
Painting fine lines comparison of brushes
Painting lines, David Jackson and Raphael were clear winners here.
Painting fine lines comparison of brushes David Jackson versus Rosemary and Co
Closer  ( magnified x2) inspection shows the smoother lines from the Jackson brush but the Rosemary and Co is better suited to dry brush
There's much more I could say about brushes and will try to write another post on other brushes at some time. This just filled the darkest of mornings when painting was near on impossible! hence the dark photographs.